Campos Sonoros

Bar Neun opens its doors for a night of ambient, electronic, and experimental music featuring Latin American artists based in Berlin. The evening brings together live sets moving between immersive quadraphonic atmospheres, generative sound and visuals, live electronics, and the blending of acoustic textures with electronic soundscapes. Doors: 19:30 | Live sets: 20:30 Artists: Juan Pablo de Lucca — computer and electronics Mario Verandi — synthesizer and electronics Berenice Llorens & Nicole Luján — guitar, pedals, sampler, computer, modular synths Andrés Marino — audiovisual live set Mario Verandi has a long-term fascination with exploring the blurring of musical genres. This has led him to develop a personal sound universe that is difficult to classify. His music draws on a distinctive blend of ambient, classical, and electronic elements, shaped by a cinematic mood. Classical music influences spread an aura of mystery throughout his work, while experimental electronics introduce unpredictability, allowing unconventional textures and sounds to emerge. Juan Pablo de Lucca is an Argentinian composer and electronic musician based in Berlin. His performances move between ambient textures, minimal structures, and open improvisation, shaped in real time by space and context. Drawing from both electronic and acoustic traditions, including subtle references to tango and South American musical memory, he creates live environments that evolve slowly through repetition and gradual transformation. Berenice Llorens is a composer, improviser, DJ, and sound artist from Córdoba, Argentina, based in Berlin. She explores sound as a mutable material, shaping sonic territories that are fluid and unstable, reconstructed through listening, loops, and delays, as well as through the temporal and spatial displacement of materials captured across different environments. Nicole Luján is a Mexican sound artist, composer, and researcher based in Berlin. Fascinated by in-between spaces, her work investigates listening as a way of building bridges between apparent opposites. Moving between live performance and sound installation, her practice oscillates between technical precision and intimate expression. She has collaborated with several labels and institutions, including Mexico’s INAH Sound Library, and has performed across Europe, Asia, and the Americas, including at festivals such as Fusion and Pop-Kultur. Andrés Marino is an Argentinian pianist, producer, and audiovisual artist based in Berlin. His work blends experimental electronic music, live piano, sampling, and immersive visuals, creating performances that move between improvisation, ambient textures, and contemporary electronic sound. Through his audiovisual project, he explores the relationship between sound, image, and emotion, inviting audiences into intimate and cinematic sonic landscapes.